George Goodridge is a graduate of the School of Visual Arts, NY and attended the School of the Art Institute of Chicago. He was awarded the position of Senior Technical Adviser to the Student Body at the School of the Art Institute and has taught Visual Techniques at the School of Visual Arts in New York.
Best known for his three-dimensional stretched canvas works which he refers to as dimensional paintings or object paintings, the works may question diversity, visual kinetics, identities, or real world concerns. Many of his works could be thought of as somewhat figurative and nonrepresentational while blurring the lines between painting, sculpture and installation.
Currently residing in Brooklyn, his work has been represented nationally in commercial galleries, museums, corporate collections with large scale works commissioned by The Related Group, Royal Caribbean Cruise Lines, Banyan Capital Investments, United Airlines and others.
Cathy Condon is an artist who exhibits overseas and annually in Australia, her home country. Her paintings are bold, full of colour and reflective of her everyday life experiences and relationships, often symbolized through landscape and nature.
The result is an immersion in the dynamism of form, structure and gesture whose primary claim to authenticity is the effortless, seemingly casual sense of inevitability that greets the viewer in each of her works.
New York-based artist Chris Bors received his MFA from School of Visual Arts. He has had solo exhibitions at Art During the Occupation in New York and Randall Scott Projects in Washington, D.C. Group exhibitions include MoMA PS1, White Columns, and Tillou Fine Art in New York, Casino Luxembourg in Luxembourg, Bahnwarterhaus in Esslingen, Germany, and Bongoût in Berlin. His work has been reviewed in the New York Times, Time Out New York, and the Brooklyn Rail and featured in Vogue Italia, K48, and zingmagazine. Awards/residencies include Guttenberg Arts, Artist in the Marketplace at the Bronx Museum, Lower Manhattan Cultural Counsel’s Swing Space, Artists Space’s Independent Project Grant, Aljira Emerge, and the DNA Artist Residency.
Ry An died once, was resuscitated, then spent the next 11 years painting hundreds of landscapes in rural parts of Japan. Here there were: fires, earthquakes, landslides, traffic accidents, amnesia, yakuza, ...and matters far worse. Ry An returned to the US after threats & attempts on his life were made. He enrolled at the Graduate School of Illustration - AAAU, in order to bring a more narrative element to his art and spent the ensuing years, drawing pictures in near solitude.
In time, he met a woman whom he fell fabulously in love with, but while Ry An was painting in his own home, she was nearly murdered in hers. She seemed to go insane and vanished soon after.
Ryan struggled to complete any new work after that incident – associating illustrations and narrative art, circumstantially, with the: insanity, bloodshed, and the loss of a loved one he had witnessed. After a time of producing no work at all, he learned to make paper-based sculptures, these being far enough removed from two-dimensional art to not trigger the same psychological stresses. They began as whimsical animals, similar to characters from his earlier illustrations, but shifted to more “dangerous” things.
His current project with the ESKFF Foundation: "the Woods", is an allegorical exploration of some of these terrible experiences told through paintings and sculptures, featuring a cast of (predominantly) animal characters as they try to make their way through a dark forest:
Gabriel Schmitz (*1970 in Dortmund, Germany) studied painting at Edinburgh College of Art from 1990 to 1994, followed by a Master in European Fine Art in Barcelona a year later.
He is a figurative painter influenced initially by German expressionism and by British painters such as Bacon or Auerbach. His main interest is the human figure, freed from narrative and context, to be explored and shown in its dignity and psychological depth. Contemporary dance has turned over the years into one of his main obsessions, leading him to collaborate with various choreographers and working side by side with dancers.
Since the early nineties he has been showing his work on a regular basis in Europe (London, Paris, Barcelona, Madrid or Oslo), and on various occasions in the U.S., with solo shows in Philadelphia and a regular presence at SCOPE Art Fair Miami.
He has been an ESKFF resident in the past, both in Jersey City (2015) and in Miami (2016).