Joelle Perry is a representational artist, who studied art under the atelier tradition of Charles H. Cecil Studios in Florence, Italy. She now aims in her career to become a contemporary sacred artist, her passion being Christian theology and prayer. Although she holds representational art as the truest or most beautiful form of art, she also uses other styles. These, she recognizes, can have the ability to convey deeper messages and ask deeper questions than representational art. 

Tenesh Webber is a Canadian artist living in Jersey City. She studied at the Emily Carr University of Art + Design in Vancouver, and at OCAD University, in Toronto, where she received an AOCA Degree. Webber works in black and white abstract photography. She is currently focusing on medium scale photograms. Webber has exhibited her work nationally and internationally; including solo exhibits at Margaret Thatcher Projects, Yossi Milo Gallery, and at Resources Transfer, in New York City, and at Howard Yezerski Gallery in Boston, Ma. She has received many grants and awards for her work, notably two Canada Council Grants, a grant from Art Matters Inc, and several grants from Artist's Space. Her current studio is located in Bushwick, Brooklyn.  Webber has an upcoming solo exhibit at The Victory Hall Drawing Rooms, in Jersey City, in May 2015.

Singaporean contemporary artist Jahan Loh forayed into street art in the early '90s. Counterculture yet well ahead of times, Jahan is a visual artist whose roots are firmly entrenched in both fine and street art. Jahan paints, invades, reinvents and paradises modern culture and popular iconography with a barrage of imagery laden with socio-political undertones. Devoted to breaking the banal momentum and didactic approach to art and life, his works often overload the senses with collages of contextual riddles. Offering an alternative universe where nothing is sacred and everything else is subverted, he conceives theories through his neo-pop aesthetics and subliminal social narratives.

His works have been featured at art exhibitions internationally. Jahan was also one of eight Singapore contemporary artists selected for 8Q-RATE, the inaugural exhibition for the opening of Singapore's 8Q museum in 2008.

Sarah G. Sharp is an artist and curator whose interests include alternative social histories, language, place, technology and craft. She is the recipient of a Getty Library Research Grant, a BRIC Arts Media Fellowship and residency awards at Cortijada Los Gázquez in Almeria, Spain, The Vermont Studio Center and The Kimmel Harding Nelson Center. Her exhibitions include The Aldrich Museum, CT, The Hampden Gallery at UMass Amherst, Frederieke Taylor Gallery, Stephan Stoyanov Gallery and Radiator Arts, NY. Sarah holds an MFA and an MA in Modern and Contemporary Art, Criticism and Theory from Purchase College, SUNY. Sarah is the co-founder of Cohort artist’s collective and faculty in the Art Practice MFA Program at School of Visual Arts in New York. She lives and works in Brooklyn, NY. 

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Tom McGlynn is an artist, writer, independent curator and teacher based in the NYC area. His work is represented in many national and international collections including the permanent collections of the Whitney Museum, The Museum of Modern Art, and The Cooper- Hewitt National Design Museum of the Smithsonian. His art has been reproduced for the cover of Artforum magazine and featured in articles in the New York Times. He is a contributing writer to the ARTSEEN section of the Brooklyn Rail and in various online arts journals.

Mr. McGlynn has taught as an Assistant Professor at Castleton State College, Vermont, and has previously been a Visiting Artist Lecturer at the Mason Gross School of Fine Arts at Rutgers University, NJ. He is currently a visiting lecturer at  Parsons/The New School in New York City and at The New Centre for Theory and Practice .

McGlynn's projects take into account the role of the artist in the expanded field of interdisciplinary practice to include socially oriented sculptural installation, abstract painting derived from social semiotics, and photography that blurs the line between quotidian documentation and generic repetition.